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Chapter 13

Oct 14, 2026 · 1,360 words · 6 min read

The sub-pier smells of stagnant brine, diesel runoff, and rotting kelp.

Two feet above my head, three thousand tons of reinforced concrete hold Rodrigo's men. Forty rifles and three high-gantry machine guns cover the apron above. Thick steel gates and biometric scanners seal the perimeter.

They have no idea what my wife can do with a wrench and a blueprint.

I crouch on the narrow maintenance catwalk beneath Pier One. Seawater slaps against the green-crusted pilings five feet below my boots. Ahead of me, the rusted spine of the J-14 pneumatic return line snakes into the dark. I lock the quick-connect coupler of our portable high-pressure compressor into the relief port, securing the seal with a quarter-turn.

Carmela is two inches from my shoulder. Her dark hair is pulled back, secured with zip-ties. She checks the needle on the compressor regulator as the unit hums against the steel decking, building sixty pounds of back-feed pressure.

"Twelve seconds until the loop recycles," she whispers. Her breath hits the side of my neck, warm against the cold harbor draft. "When I drop the valve, the pressure spike blows the emergency hatch into the sub-grade substation at the base of Crane Four. You'll have three seconds before the acoustic sensors calibrate."

"Three seconds is two more than I need."

Her lips press thin. "Mistime the relief turn and the line takes your eardrums."

"Then do not mistime it, esposa."

She does not flinch. She sets her fingers on the heavy brass bleed-cock. Her hands are steady. I like the ice in her blood. She did not ask for this war, but she moves through its guts like she owns every bolt and girder.

She will own it. Beside me.

"Three," she counts. "Two. One."

Carmela wrenches the brass lever ninety degrees.

A sharp hiss cuts the dark. High-pressure steam and compressed gas blast through the overhead exhaust flange. The steel maintenance hatch above us buckles with a muffled thud, its hydraulic seal popping cleanly off the latch.

I do not wait for the echo to settle.

I grab the lip of the opened shaft and haul myself up in a single fluid pull into the sub-grade substation. Carmela climbs up right behind me. She darts straight to Wall Three, snapping Ines's optical transponder clone onto the primary relay panel. The amber diode turns solid green, hijacking the terminal's camera loop.

"Sixteen minutes," she whispers.

I lead her through the substation's upper access hatch onto the wet grating of the Crane Four lower turret. The harbor wind smacks my face, carrying the sharp stink of fuel and burning zinc.

Eighty feet above the concrete apron, the main gantry stretches like a black iron ribcage against the night sky. In the suspended operator's bucket, two of Rodrigo’s gunners lean over a mounted .50-caliber receiver, their scopes fixed on the main gate and the avenue below.

Idiots.

I climb the vertical access ladder without a sound, my gloves gripping the cold rungs. My suppressed sidearm sits snug against my chest rig. Ten feet below the catwalk landing, I draw it.

The first gunner has a cigarette clamped between his teeth. He is laughing into his radio collar.

I clear the top rung and step onto the catwalk.

Two suppressed rounds punch through the back of his skull before his radio click finishes. His body goes limp against the railing. I catch the collar of his jacket with my left hand, easing him down onto the rubber vibration mat so his gear does not clatter against the metal floor.

The second gunner turns, eyes widening as his hands scramble for the receiver's spade grips.

He never touches them.

I step inside his reach, drive my forearm across his throat, and put a single round upward through the base of his jaw. The suppressed discharge coughs like a muffled hammer. Blood splatters across the yellow crane housing.

I drag both corpses behind the armored counterweight enclosure. Two threats gone. The eastern approach is blind.

Down at the ladder hatch, Carmela emerges onto the catwalk. She moves fast, light on her feet, keeping low beneath the crane's steel gussets. She reaches my side without a hitch in her stride, her gaze sweeping over the dead men, then straight to the control cabin door twenty yards down the gantry rail.

"Cameras are still looping," she says, checking her watch. "We have fifteen minutes before the central hub cycles the feed."

"Fifteen minutes is plenty."

I check the magazine of my sidearm, thumbing the slide back an eighth of an inch to verify the brass casing seated in the chamber.

We move along the high catwalk. The entire terminal apron spreads below us in the sodium lights—row after row of stacked shipping containers, forklifts idling near the perimeter, guards patrolling the perimeter wall in pairs. They are looking outward. They have no idea the master key is already walking their roof.

The crane control cabin is an elevated glass-and-steel cube perched above the central switching yard. Inside, Rodrigo’s site overseer sits behind a bank of hydraulic monitors, drinking coffee from a paper cup with a short-barrel shotgun resting against his desk.

The door has a mechanical deadbolt and an electronic magnetic strip.

Carmela pulls a flat steel shim from her jacket pocket, slides it between the jamb and the strike plate, and twists. A low click answers.

I hit the door with my shoulder.

The heavy steel slab swings inward, slamming into the wall. The overseer spins around, his coffee cup tumbling to the linoleum floor. His fingers lunge for the shotgun.

I cross the floor in two strides.

My boot catches him squarely in the chest, folding him backward over the steel console. The glass of a hydraulic gauge shatters behind his skull. Before he can draw a breath to scream, my fingers lock around his windpipe, slamming him down against the steel control levers.

"Where is the master manifest?" I ask. My voice is quiet, flat as a gravestone.

His heels drum against the linoleum. His face turns the color of bruised plums. He tries to reach for a knife in his belt, so I break two of his fingers with my free hand.

He chokes on a ragged sob, his eyes darting toward the bolted green strongbox beneath the primary terminal desk.

"Key," I say.

He points a trembling hand toward the leather lanyard around his neck.

I rip the lanyard off him, snap his neck with a sharp, calculated jerk of my wrist, and drop him behind the console. One less voice for Rodrigo.

Carmela is already at the strongbox. She kneels beside it, taking the iron key from my fingers. She slides it into the tumbler and turns it clockwise.

The heavy steel door pops open.

Inside are no ledgers, no accounting books, no payroll records. There are stacks of heavy, waterproof shipping dockets stamped with military serial numbers, and three plastic sample cases lined with custom foam inserts.

I pull the top docket out under the desk lamp.

Carmela leans over my shoulder, her fingers tracing the printed manifest codes. Her pulse is steady, but her grip on my forearm tightens until her nails dig through my wool sleeve.

"These aren't industrial demolition caps," she whispers. Her voice has lost its sarcasm. "These are M-670 radio-frequency firing packs. Two thousand units."

I flip to the third page. The bills of lading show delivery points spanning every major loading berth from Pier One to Pier Fourteen, along with the deep underwater support caissons of the Mirasola Harbor Bridge.

Rodrigo is not trying to disrupt Castaneza trade routes. He is not trying to carve out a bigger share of the waterfront.

He has brought in enough military ordinance to sink the entire harbor into the bay.

I fold the heavy manifest and slide it into my coat.

I look at Carmela. Her chin is high, her jaw set like carved granite, her eyes locked onto mine. Fear is there, but beneath it is the same cold fury that runs through my own veins.

Rodrigo thought he bought a harbor.

I am going to bury him under it.

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About the author

Bridget Wexford

Bridget Wexford writes dark romance about bargains that cost more than they promise, morally gray love interests and desire under pressure. The voice is brooding and deliberate. Chapters favor momentum over recap, and…

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